Hmmm...yeah, well, hmmm...it's interesting, but doesn't really sound like it's worth the trouble right off the bet, as they say. I know, it always takes some time to get used to new concepts and such, but you can also sense it when something blows you away and when something just doesn't quite cut it. Like the SunVox thing and all the others of Anthony, this thing, too, has a very raw sound with enough artifacts to get concerned. Musagi has its own troubles, of course, as do they all, but it really is clear enough about not being a "serious" DAW, you know.
I don't yet have a favorite, even if I enjoy a few of them in their own rite. But if it's about the most fun I've had thus far, Musagi remains the winner, even if I had stunning and endless fun with Reason in its days, but it never felt innocent. Musagi feels innocent.
Once I'm ready to take a bit of a break from painting, I'll resume making my own little music tool. I'm too curious how far I can take that. In its roots will be one totally new synthesis process and my take on physical modeling. I'll also play around with alternative input solutions, whereby I'm mildly angry about SunVox, because it has the theremin input just like I had it already in my first test and I absolutely love it! Not that that's a problem at all, but I hope he won't think the wrong thoughts.
Anyway, buzz is too damn weird and probably takes some careful tutorial exercises and some research before one can even begin to enjoy it without losing ones hearing, haha... MY EARS...WHY WON'T IT STOP!
