OOoooohhh, duh,

, sorry about that.
You have not yet liberated yourself from the urge to recognize complex patterns as definite entities. Tonight, when you are in bed and just about ready to sleep, close your eyes, relax and let your mind calm down carefully while remaining alert. Wait until you begin to see them clouds of color drift by and begin to try holding them still, sharpening them and then, eventually, give them a concrete color of your choice. Everything will begin to take shapes, shapes that you cannot really control, but they begin to appear purposeful or deliberate in some fashion. The clearer and sharper your visions get, the more you familiarize yourself with a form of abstract imagery that actually happens within your mind this entire time. It is notoriously difficult to gain control over it or hold on to a single slice of time, but as a painting artist you have to make a choice that can communicate and provide orientation. We've always tried to encode a certain language of it by observing color psychology, proportions and so on. While those schools have boiled down everything to mere compromises, things like the Golden Spiral or Golden Section are absolutely brilliant to help construct your image and pure color theory is equally solid as a guide. Both these fields go deeper than you know, once you explore the stuff that has not been mentioned, but derives from the logic they provide.
I won't ever get much out of provocative jerkiness some artists favor, when they make like a freaking blue canvas or some other smart-ass garbage. But there's a certain magic in things like Jackson Pollock's works or Friedman, another abstract artist with great sense of form and patterns. Anyhow, we're searching for something as human beings, we embrace that which can inspire us to understand or to suggest new directions.
Anyway... if you want to learn realistic painting, uh, you should only start that, once you've understood strongly color and composition, because otherwise you may get the moves down for realism, but nothing would come out of it other than some curious sketches. There's also fantastic motivation behind understanding what to do to the whole, how to set your own stage, as I like to think about it.
Hmmm...that's all way too much for "Hey there..." already, haha...
