I am truly honored by your kind remarks Taron!
My need for detail is a cruel byproduct of my OCD. I must, must, must include everything I want - like some spoiled brat at Christmas time.

It happens every time - as if by magic, instead of struggling with trying to come up with an idea or composition, it exists in my mind as if I was already familiar with it. Then after some pondering, the scene is so familiar that I can't help but to express every little detail to make it exist in the image as it does in my mind. The problem is, that I can't quite get everything to be realized exactly, so I end up looking at my final image as some imperfect child - both with love and appreciation, but with some lament. The city was not high enough on the hill, etc... Of course, I could get into the issue of my mild synesthesia which causes every tangible element, composition of physical elements and even the atmosphere of a place in real life and so on to carry with them in my "inner mind" and perception, a very real sense of personalities that pervades my conscious. Yes, places and things have tangible 3D qualities in my mind as well as feeling and personalities ...not to mention my barely perceptible co-existence of colors to numbers and letters... So if I'm going to posses a barely discernible ailment of my psychology, well then, I better learn to use it for my creative purposes. All in all, it means that once I come up with an idea, it's not too hard to work it all out until it sits on paper. It's a lie unto itself if it doesn't tell the truth. I'm not crazy, it's just cross-wiring. My body and mind is full of it.
I think a good trick for me would be to learn how to do more expressive art without the constraints of exacting detail or composition. I'll worry about that after I'm as good (or better) as the likes of Norman Rockwell.
Pilou, as I've mentioned before, I really have you to thank for these, almost deity-given tools of alternative digital creativity; Moi3D, Verve and Mischief. No really, I'd still be plugging away at Photoshop and Corel never realizing that could traverse the planes of digital painting and 3D. For the record, I am satisfied with this latest piece and feel content to let it be. But it does still feel very imperfect to me, and if anything, propels me to drive myself further with the next. Though, you guys are going to have to expect a few lack-luster duds from me.
This design started off as a very rough pencil sketch on a letter sheet of paper. The figures were cartoonish at best. I then used Made with Mischief to make finer sketches and to work out the composition. Actually, there were two sketches in Mischief, with the final looking very exact - Mischief allows you to zoom in down to the atomic level and it really helps in getting face details down. I'm actually worried that I'm doing better sketches on the PC with the Wacom than I can on paper. In fact, my daughter very insistently had me tweak the detail of her face (and she still hates it.) I hate self-portraits, which says a lot about my self-image

Like Norman Rockwell, I hung a few inkjet prints of me and my girls over my desk and went by eye... if you can get the faces looking right, then the viewer can more easily forgive your ugly body proportions. The city, the zeppelin and the table were created in Moi3D and brought in as white sketch outlines from a png made in PS. I made "clay" renderings in Kerkythea to get a good idea on where to make the shadowing. It would be nice to render these things to the T, but since I don't own a render farm... The bricks in the walk way was just a Corel made pattern given a 'Perspective' envelope, and I just filled in each brick with color and a little outlining. The trees were my favorite out of the whole piece. Just take brush #7 and wiggle it around some, then turn the build-up to 0 and fill in with more brush #7.
Taron, I hope you find the time to realize the Verve update you have in mind. There is no other painting program like this one. The fluidity really adds a 'feel' to it and there would be no reason to call and artist "not an artist" for painting digitally over the real thing... all Verve is missing is the 'haptic' feel of sloshing and resistance on the brush.
